![]() ![]() means it will now look far worse on all other devices. And further, it will be different on every other device! So trying to 'shade' the work towards 'better' on one playback device, and moving away from the center standard. ![]() Yes, that image on a different device will be different. ![]() Theatrical, network broadcast or streaming, or even BluRay disc. NO one ever sees exactly what the colorist saw, no matter how it is delivered. They grade with scopes and monitors calibrated to that standard. So how to pro colorists work? They setup an exactlly calibrated system dead-on to whichever standard they will deliver to. The visibilty and shadow and highlight details, color purity and saturation, will vary quite markedly. Part of the reason they try to limit what screens a client can see in a client attended session.īecause "make this screen look like that one" is always a losing proposition.Įvery screen is different, even the same screen in bright light (park bench at noon) or dim light (bedroom at night) will show the same image differently. it's been demonstrated over and over and is a massive frustration for colorists. not even a colorist with a Klien spectro and using Calman or ColourSpace can make two identical monitors, sitting side by side, show exactly the same image to our visual system. Edit, create and deliver beautiful and engaging content for film, broadcast and social media. Shebbe is quite helpful, and very knowledgeable. Adobe Premiere Pro offers many original features, including expanded support for original formats, improved multi-camera editing, and more. ![]()
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